04112020

 04112020

罗辑思维语录

1. 演员的真实从哪里来？从行动中来。

2. 表演给了我们一个很好的方法，推开杂念，就是打开感官。

3. 最真实的感受是我们前进的力量。

4. 学习表演让我们重新学会感知、学会表达情感。

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Academic Research: Arts Management

1	PENGURUSAN SENI: KAJIAN KES DI MUZIUM TEKSTIL SARA WAK (MTS) RABUY AH BINTI BRAHIM	2011	RABUYAH BINTI BRAHIM
2	POLISI PEMENTASAN SENI TEATER ISTANA BUDAYA DILIHAT DARI SUDUT PARA PENGGIAT	2013	Ummu Masithah Binti Othman
3	The Growing Phenomenon of Malaysian Musical Theatre Productions with a Buddhist Theme	2013	Loo Fung Ying, Loo Fung Chiat, Tee Xiao Hao
4	Malaysia’s Theatre and its Circuit of Culture	December 2018	Lian Choon Chua, Kok Wai Benny Lim

1	Arts management: A new discipline entering the millennium?	January 2000	Yves Evrard, François Colbert
2	Arts Management: A Sociological Inquiry	March 2010	Kirchberg and Zembylas
3	Taking a Critical Approach to Arts Management	Dec 2010	Hilary Glow
4	Making sense of arts management: Research, cases and practices	2017	JOHANSSON,T.& LUONILA,M.
5	Who wants to become an arts manager?	2010	Vincent Dubois
6	From Arts Management to Cultural Administration	October 2003	Patricia Dewey
7	Teaching Arts Management: Where Did We Lose the Core Ideas?	07 Aug 2010	Aleksandar Brkić
8	The Concept of Arts/Cultural Management: A Critical Reflection	07 Aug 2010	Patrick Ebewo & Mzo Sirayi
9	Academic Assessment of Arts Management Journals: A Multidimensional Rating Survey	2008	Ruth Rentschler and David Shilbury
10	Affirmative Action and Diversity: Implications for Arts Management	14 May 2013	Antonio C. Cuyler
11	Arts Management Curriculum Development - A Case Study of Viet Nam in a Market Economy	December 2003	Tim Doling
12	Performing Arts Administration and Management in Vietnam- A Comparative Study	October 2003	Huong Le
13	Arts and Cultural Management: Sense and Sensibilities in the State of the Field	September 2018	Constance DeVereaux

Making sense of arts management: Research, cases and practices (2017)

Future directions in the research and practice of arts management 

TANJA JOHANSSON AND MERVI LUONILA

1. We would like to highlight three major future directions that require attention in the field of arts management: a closer investigation of the private and public interfaces, a deeper understanding of the festivalisation of arts, and an indepth inquiry of diversity and societal engagement in artistic productions.